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Architectural Design ; 92(3):72-79, 2022.
Article in English | Scopus | ID: covidwho-1787634

ABSTRACT

Using computational techniques to foster new empathetic relationships between human bodies and the space around them, Behnaz Farahi, Assistant Professor in the Department of Design at the California State University in Long Beach, presents some of the concepts and events that have inspired her research and focuses on a recent project for an interactive niqab. Copyright © 2022 John Wiley & Sons, Ltd.

2.
40th Annual Conference of the Association for Computer Aided Design in Architecture: Distributed Proximities, ACADIA 2020 ; 1:720-729, 2020.
Article in English | Scopus | ID: covidwho-1444843

ABSTRACT

How could design be used as a method of interrogation for addressing larger cultural, social, or political issues? How could we explore the possibility of using emerging technologies such as robotics and artificial intelligence in order to subvert the status quo?The project presented in this paper is inspired by the historical masks, known as Niqab. worn by the Bandari women from southern Iran. It has been said that these masks were developed during Portuguese colonial rule as a way to protect the wearer from the gaze of slave masters looking for pretty women. In this project two robotic masks seemingly begin to develop their own language to communicate with each other, blinking their eyelashes in rapid succession, using Morse code generated by artificial intelligence (AI). The project draws on a Facebook experiment where two AI bots began to develop their own language. It also draws on an incident when an American soldier used his eyes to blink the word 'TORTURE' using Morse code during his captivity in Vietnam, and stories of women using code to report domestic abuse during the COVID-19 lockdown. Here the 'wink' of the sexual predator is subverted into a language to protect women from the advances of a predatorThrough the lens of the design methodology that is referred to as "critical making.' this project bridges AI. interactive design, and critical thinking. Moreover, while most feminist discourse takes a Eurocentric view, this project addresses feminism from a non-Western perspective. © Proceedings of the 40th Annual Conference of the Association for Computer Aided Design in Architecture: Distributed Proximities, ACADIA 2020. All rights reserved.

3.
Proceedings of the ACM on Computer Graphics and Interactive Techniques ; 4(2), 2021.
Article in English | Scopus | ID: covidwho-1360573

ABSTRACT

This paper presents AI-controlled robotic masks intended to empower women and allow them to communicate with one another. These are inspired by the historical masks worn by the Bandari women from southern Iran. Legend has it that these masks were developed during Portuguese colonial rule as a way of protecting the wearer from the gaze of slave masters looking for attractive women. In this project two robotic masks seemingly begin to develop their own language to communicate with each other, blinking their eyelashes in rapid succession using AI-generated Morse code. This project draws upon a Facebook experiment where two AI bots apparently began to develop their own language. It also draws upon an incident when an American soldier used his eyes to blink and spell out the word "TORTURE"using Morse code during his captivity in Vietnam, as well as stories of women using code to report domestic abuse during the COVID-19 lockdown. The aim is to sow anxiety within the patriarchal system where the "wink"of the sexual predator is subverted into a language to protect women from the advances of a predator. The project bridges AI, interactive design, and critical thinking (Figure 1). © 2021 ACM.

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